Richard Burton in the 1972 film 'Under Milk Wood'
Thomas is remembered by most for his final play 'Under Milk Wood'. Started in New Quay and partially written at Southleigh near Oxford, then finally completed in New York minutes before its first public performance, 'Under Milk Wood' has stimulated a long-running debate as to which town is the model for 'Llareggub'. Local Author David Thomas notes that many of the characters (from New Quay) were written in long before Dylan Thomas ever visited Laugharne. He has clearly established a strong case for New Quay being the model for 'Llareggub' while the name 'Under Milk Wood' is probably taken from the farm called 'Wernllaeth' where Dylan was taken by his good friend, the Aberaeron vet Tommy Herbert. Dylan and Caitlin's daughter Aeronwy was named after the river Aeron which flows through the Aeron valley to Aberaeron , and about which Dylan said was: 'the most precious place in the world'.
Dylan Marlais Thomas was born on October 27, 1914, in the upstairs front bedroom of his parents newly built house at 5 Cwmdonkin Drive, Swansea. Behind the house ran an alley and across the road was Cwmdonkin Park. .
Dylan is said to have been inspired by the leafy glades and shady paths of Cwmdonkin park. In his radio broadcast ‘Reminiscences of Childhood’ he speaks about the importance of the park and its significance in his early life..
Fern Hill
Thomas' summer holidays as a child were at the Carmarthenshire dairy farm of his mother's sister, Ann Jones, and her husband, Jim at Llangain. The Farm 'Fern Hill' - see photo on left - was the subject of the poem of the same name. Without doubt these were pleasant times, for as he writes:
'And as I was green and carefree, famous among the barns
About the happy yard and singing as the farm was home,
In the sun that is young once only,
Time let me play and be
Golden in the mercy of his means.
Unfortunately, he found the many pubs of Swansea much more to his liking than work and here, in the Uplands Tavern and other pubs, he developed his love of alcohol.
It was in London, at the 'Wheatsheaf' pub in Charlotte Street in April 1936, where Thomas met his wife to be, the dancer Caitlin Macnamara. Photo credit AP News.
The Ship Inn at Mousehole
During their first year, Dylan and Caitlin were sometimes together and sometimes apart. It was while visiting friends in Cornwall that they decided to get married. They stayed in Wyn Henderson's cottage at Polgigga and in Mousehole. They married on 11th, July 1937 at Penzance Registry Office. Thomas wrote that they were: `with no money, no prospect of money, no attendant friends or relatives, and in complete happiness. After a honeymoon at the 'Lobster Pot', Wyn Henderson's restaurant in Mousehole, they rented a studio from the painter Max Chapman at Newlyn. The Ship Inn (left) at Mousehole in Cornwall was a favourite watering hole for Dylan Thomas when he stayed there in 1937.
In September 1937, Thomas and Caitlin stayed with Dylan's parents in Bishopston, Swansea - they had moved from Cwmdonkin Drive after his Father's retirement from teaching at Swansea Grammar School to a smaller house. This was Caitlin's first meeting with his family. Later, in the winter of 1937 - 38, they lived with Caitlin's Mother at the family home 'Blashford' near Ringwood in Hampshire.
In April 1938, Dylan and Caitlin visited the writer Richard Hughes who lived at Castle House in Laugharne and who was enjoying success with his book, 'High wind in Jamaica'. Here Hughes allowed Dylan to write in the gazebo topping the ramparts of Laugharne Castle next to his house (photo below). Soon afterwards , they found a place of their own nearby.
Richard Hughes allowed Dylan to write in the gazebo topping the ramparts of Laugharne Castle next to his house. The gazebo had a fine view, not unlike that from the Boathouse just along the shore from the castle.
'Eros' was a small two bedroom fisherman's cottage with no bathroom and an outside toilet at 24 Gosport Street. Dylan and Caitlin disliked the cottage intensely and soon moved to a larger property.
Eventually, pressure from various creditors caused Thomas and Caitlin to leave Laugharne and to stay in Caitlin's family home at Blashford. They returned to Sea View for a short time in 1940 when Thomas gained exemption from active service at Llandeilo, the Army doctors diagnosing him as an acute asthmatic - this after Thomas had consumed a large quantity of beer and spirits the previous evening in Brown's hotel!
In the summer of 1940, the family stayed at 'The Maltings' at Marshfield in Gloucestershire, with John Davenport.
In 1941, Thomas and Caitlin moved to Plas Gelli at Talsarn in Cardiganshire, along with Vera Phillips (later Killick), her Sister and her Mother, Margaret Phillips. At this time he also kept a studio flat in Manresa Road, London as he was intermittently working on wartime propaganda films. The couple left their son Llewelyn with Caitlin's Mother at Blashford where he stayed until 1949. Their second child, a daughter named Aeronwy (Aeron) Bryn Thomas was born in March 1942. During his time in London, Thomas took some part in more than a hundred BBC radio programmes. While at Plas Gelli, Dylan Thomas would stay from time to time at the Castle Hotel at Lampeter where he knew the landlord Edward Evans.
Majoda the movie set, New Quay
Dylan Thomas moved to New Quay in September 1944, eager to escape from both the war and from London. After staying for a while in Bosham in Sussex and then at Beaconsfield with his friend Donald Taylor, he moved to the little bungalow called 'Majoda' just along the coast road which branches off the B4342 opposite the Cambrian Hotel. In May 2007 'Majoda' was re-created in its original form as a film set in the field beside the existing house - see photo on left ( courtesy of Roger Bryan of Plas Llanina ).
He rented 'Majoda' for just one pound a week, describing it as 'this wood and asbestos pagoda', and 'a shack at the edge of the cliff, where my children hop like fleas in a box.' The house was draughty and cold, but had a wonderful view across New Quay Bay (view at top of page) to the town 'cliff-perched' across the water. At Majoda he found creative inspiration after a dry period. In New Quay too he found characters who would later be immortalised in 'Under Milk Wood'.
He brought with him to New Quay his wife Caitlin, his newly born daughter, Aeronwy and his son, Llewelyn, who had previously been living with Caitlin's mother in Ringwood in Hampshire. From Majoda, Thomas could walk along Brongwyn Lane (now partly lost to the sea) into New Quay where his favourite pub was the Black Lion run by his friend John Patrick 'Jack Pat' and where Dylan Thomas memorabilia can still be seen.
The Black Lion thought to be one of New Quay's earliest inns was run by the Patrick family for more than 100 years.
Majoda was built as a summer holiday home and had no electricity or running water and an outside toilet. Photo: David Thomas
Locally Thmas stayed temporarily between New Quay and Cei Bach at Plas Llanina - also known as the Llanina Mansion, then owned by Lord Howard de Walden, a patron of the arts.
De Walden gave Thomas fifty pounds and allowed him to write in the 'Apple House' at the bottom of the garden. De Walden had been introduced to Thomas by the painter Augustus John.
The Author David Thomas, in his book 'Dylan Thomas, A Farm, Two Mansions and a Bungalow', has put together a convincing case that New Quay is the inspiration of Thomas's Llareggub (read it backwards!). Details of the 'Dylan Thomas Trail' - take the visitor to a number of locations identified as models for locales in the fictional Llareggub. In 1947 the family lived at South Leigh in Oxfordshire at 'The Manor House' - bought for them by Margaret Taylor as well as keeping a small flat at Wentworth Studios, Manresa Road in London. Thomas went abroad for the first time to Italy where he started to write a major ( never completed) work . The first part, entitled `In Country Sleep´ was completed in Italy. Two more parts were eventually completed, but the fourth was never started.
The Boathouse, Laugharne
Laugharne though, remained Thomas' spiritual home and it was to here he returned once again in May 1948, where he and his family moved to the Boathouse at Laugharne , Thomas' final home. The Boathouse was purchased for Thomas by Mrs. Margaret Taylor for £2,500 in April 1949 when she arranged for Mains electricity to be installed. He immediately rented a house 'The Pelican' - now known as 'Pelican House' opposite 'Brown's Hotel' for his parents, where they lived from 1949 to 1953. It was in this house that his father died and where the funeral was held.
Just as in the caravan in London, and in the 'Apple House' at Plas Llanina, New Quay, Dylan Thomas preferred to be away on his own to write. At the Boathouse, the garage - elevated on props on the steep hillside above the sea, became his 'writing shed'.
All of the contents of the the Writing Shed have been preserved as they were in Thomas' life time. However the original shed has been rebuilt.
The Boat House is perched on the edge of the hill above the estuary of the river Taf. From the house, there is a panoramic view across the 'Heron priested shore' that undoubtedly was a great inspiration as he writes in 'Poem in October':
The grave of Dylan Thomas
Dylan's death however, was probably not only a result of the over-consumption of alcohol. He is thought to have had problems with blood sugar balance, he is known to have not eaten properly for several days prior to this death and the Doctor who treated him injected him on two occasions with both cortisone and morphine. A tragic combination of events brought a premature end to the life of one of Wales' most celebrated writers and poets.
He was returned to Wales and was buried in Laugharne.
....Woke to my hearing from harbour and neighbour wood
And the mussel pooled and the heron Priested shore
The morning beckon
With water praying and call of seagull and rook
And the knock of sailing boats on the net webbed wall....
Thomas had for some time wanted to emigrate to the United States and in 1949 was offered a lecture tour by John Malcolm Brinnin. This was to be the beginning of the end for Thomas. He described Manhattan as: "this Titanic dream world, soaring Babylon, everything monstrously rich and strange," and promptly found solace in its bars.
Thomas' second trip to the United States began on 20th January, 1952 when he boarded the 'Queen Mary' with Caitlin. However, they argued loudly and publicly, returning with little to show for their time abroad.
At the end of 1952, Thomas' Father died - prompting the poem 'Do Not Go Gentle into That Good Night'. Soon afterwards, Thomas' sister Nancy also died. Various audio recordings of Thomas reading his own work have survived including 'Do not go gentle'. These confirm the reports of his 'deep and sonorous' voice. However, it is clear that his lengthy association with broadcasters of the day and his early drama experiences, influenced his tone, accent and delivery. There is no trace of a local accent - or of any regional accent in these recordings.
Thomas arrived in New York for his third tour on the 21st April, 1953 when he was completing 'Under Milk Wood'. The World Premiere of which was on May 3rd, 1953, in the Fogg Museum at Harvard.
Thomas' debts were increasing and the Bailiffs were threatening him. His health was also deteriorating at this time. He was suffering blackouts regularly and was advised by his Doctor to stop drinking. The only way out of debt seemed to be another American lecture tour.
Thomas' final tour of America began on the 19th October 1953. Thomas was to direct the rehearsals of 'Under Milk Wood' with a full cast. Although he was not in good health, he was to take the part of narrator again as he had on May 13th in New York. On November 3rd he attended a party, but returned early to his hotel. Unable to sleep, he left his room for a drink - in his own words eighteen straight whiskeys. The next morning he was taken to St. Vincent's Hospital where he lapsed into a coma for five days, dying on November 9th 1953. Caitlin notes in her book: "Dylan had this rather odd view that all the best poets died young and that he himself would never make forty, and there were times when he almost seemed to live his life by that"
The Grave, Laugharne